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by Mike Telin
Note: this concert was cancelled due to weather conditions and has been rescheduled with revised repertory for Tuesday, July 23 (see the concert listings for details).
We continue our coverage of the Kent/Blossom Music Festival with an enlightening conversation with violinist and faculty member Jung-Min Amy Lee. Lee joined The Cleveland Orchestra as associate concertmaster in March 2008 and has served on the Kent/Blossom Faculty since that same summer.
On Wednesday, July 10 beginning at 7:30 pm in Ludwig Recital Hall, Amy Lee (left in photo) will join her Cleveland Orchestra colleagues and Omni Quartet members violinist Alicia Koelz, violist Joanna Patterson, and cellist Tanya Ell for a performance of Bartok’s 3rd String Quartet and Kodaly’s Duo for Violin and Cello. The program also includes Ligeti’s Trio for Violin, Horn and Piano featuring Cleveland Orchestra principal horn Richard King and pianist Randall Fusco.
For Amy Lee, teaching is all about the passing down of traditions. “I think the real beauty of [teaching] is that you take the traditions from the past, preserve them and hopefully better them, and hand them down to the younger generation.” Beginning in the fall, Lee will have the opportunity to pass down musical traditions more when she becomes part of a new faculty ensemble at the Hugh A. Glauser School of Music at Kent State University. Read the rest of this entry »
Photograph by Roger Mastroianni
by Mike Telin
On Sunday, November 29, the Cleveland Orchestra presented the first of three events in its new ‘Musically Speaking’ series, an initiative designed to bring Severance Hall audiences closer to the music and the musicians.
The afternoons begin with a 40-minute chamber music concert in Reinberger Hall, followed by a 3:00 multimedia exploration of the orchestral work of the day (this afternoon, Dvorak’s ‘New World’ Symphony) using a narrator, actors, projected visuals and live excerpts played by the orchestra. After intermission, the work is played in its entirety, followed by a question and answer period.
The central format of the first two ‘Musically Speaking’ events derives from the Chicago Symphony’s ‘Beyond the Score’ series, which, as in this case, is franchised to other orchestral organizations. I experienced the CSO’s version of the Dvorak afternoon at the League of American Orchestras conference in Chicago last summer, so it was interesting to be able to compare the two throughout the afternoon.
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