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by Daniel Hathaway

CIPC-ButterflyStanislav Khristenko displayed his gentle and expressive side at the opening of Monday afternoon’s session with elegant, characterful playing in Beethoven’s op. 2 sonata. Light, moody and colorful, the sonata was a delight — delicate in the scherzo, impetuous yet graceful in the rondo. His reading of Chopin’s “Torrent” etude (Op. 10/4) was nicely layered; he tossed its ending off with a dismissive musical nod. He ended his set with Montsalvatge’s witty Sonatina para Yvette from 1962, playing the opening toccata moodily, creating an eloquent “beauty and the beast” dialogue in the second movement, and stylishly molding its finale, another toccata, scampery this time, out of which twinkled the surprise of a well-known nursery rhyme (Mozart knew it by its French title). Read the rest of this entry »

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